Friday, March 15, 2013

Review Rip Curl Men's A2572-BLK Analog Automatic Movement Watch

Review Rip Curl Men's A2572-BLK Analog Automatic Movement Watch

Rip Curl Men's A2572-BLK Analog Automatic Movement Watch

Product Description

The Ripcurl R1 Automatic SS Watch never needs its battery changed, because it doesn't use one. It's kinetically powered, which means it charges itself whenever you walk around, give high-fives, or slap one of your idiot friends upside the head.

Product Features

  • Housing Material: stainless steel
  • Strap Material: stainless steel
  • Heart Rate Monitor:
  • Digital Compass:
  • Chronograph:
  • Backlight:
  • Computer Compatible:
  • Water-Resistant: yes, 100m
  • Alarms:
  • Date Indicator:
  • Weekday Indicator:
  • Battery Type: automatic
  • Battery Life:
  • Face Size:
  • Weight:
  • Recommended Use: casual wear
  • Manufacturer Warranty: 1 year
List Price: $375.00
Price: $292.88 &
eligible for FREE Super Saver Shipping on orders over $25.
Details
as of Fri, 15 Mar 2013 11:20:57 GMT


Product Details

  • Amazon Sales Rank: #90220 in Watches
  • Brand: Rip Curl
  • Model: A2572-BLK
  • Released on: 2012-06-01
  • Band material: Silicone
  • Bezel material: stainless-steel
  • Case material: stainless-steel
  • Clasp type: Buckle
  • Dial color: black
  • Dial window material: Mineral
  • Movement type: automatic-self-wind
  • Water-resistant to 330 feet

Features

  • 21 jewels: miyota automatic movement
  • 316l stainless steel case
  • Soft silicone strap
  • Screw crown
  • Water-resistant to 100 M (330 feet)

The Rip Curl Story


The year: 1969. A man called Armstrong is about to walk on the moon.


(In fact, the day he does so, Bells Beach is ten foot and near perfect. Two Torquay locals, Charlie Bartlett and Brian Singer, surf their brains out before going home to watch the other momentous event on black and white TV.)

In Australia, surfing is at a curious stage of its development. The ΓÇ£short board revolutionΓÇ¥ of 1967 has created a frenzy of experimentation in surfboard design and surfing technique.

In the cool climate of Victoria, sanity prevails in design and technique, if not in the temperaments of the surfers. The cold, always a great leveller, has created a hardy breed of surfer who has no time for the hoopla and hype of the glitter beach capitals of the world. And by 1969 these like-minded souls have begun to gravitate towards the equally no-frills seaside town of Torquay, just a couple of kilometers away from Bells Beach, home of some of the most challenging waves in Australia.
And it is into this environment that Doug ΓÇ£ClawΓÇ¥ Warbrick and Brian ΓÇ£Sing DingΓÇ¥ Singer decide to pitch their fledgling surf company, Rip Curl. And yes, it will be called Rip Curl.

Rip Curl Surfboards did well in a highly competitive market which had opened up in response to the revolution in design. Pioneers like Gordon Woods and Barry Bennett in Sydney and George Rice in Victoria had been joined by hundreds of wide-eyed hopefuls operating, like Rip Curl, out of garages and tool sheds.

In many cases enthusiasm and innovation overshadowed technical expertise and quality, but Rip Curl concentrated on producing a small number of functional surfcraft for local waves.

In 1970, however, Warbrick and Singer made the decision which changes forever the nature of their fledgling company. Looking at the essential needs of their fellow surfers in cold-water Victoria, they see that one ΓÇô a board to ride ΓÇô is being serviced by too many companies, while the other ΓÇô a wetsuit to keep out the cold ΓÇô is being serviced by only two, one of whom makes wetsuits for divers and has only a marginal commercial interest in surfing.

Rip Curl took over an old house in Torquay and the partners made a small investment in a pre-World War II sewing machine. They put together a crew of locals and went into production, cutting out the rubber on the floor and handing the pieces to an over-worked and underpaid machinist.

By todayΓÇÖs standards, the prototype Rip Curl wetsuits were primitive, but they differed from others on the market in that they evolved through interaction with surfers.




The people who ran the company were ΓÇô and still are ΓÇô the test pilots. There can be no more direct line of communication...

From the Manufacturer


The year: 1969. A man called Armstrong is about to walk on the moon.


(In fact, the day he does so, Bells Beach is ten foot and near perfect. Two Torquay locals, Charlie Bartlett and Brian Singer, surf their brains out before going home to watch the other momentous event on black and white TV.)

In Australia, surfing is at a curious stage of its development. The ΓÇ£short board revolutionΓÇ¥ of 1967 has created a frenzy of experimentation in surfboard design and surfing technique.

In the cool climate of Victoria, sanity prevails in design and technique, if not in the temperaments of the surfers. The cold, always a great leveller, has created a hardy breed of surfer who has no time for the hoopla and hype of the glitter beach capitals of the world. And by 1969 these like-minded souls have begun to gravitate towards the equally no-frills seaside town of Torquay, just a couple of kilometers away from Bells Beach, home of some of the most challenging waves in Australia.
And it is into this environment that Doug ΓÇ£ClawΓÇ¥ Warbrick and Brian ΓÇ£Sing DingΓÇ¥ Singer decide to pitch their fledgling surf company, Rip Curl. And yes, it will be called Rip Curl.

Rip Curl Surfboards did well in a highly competitive market which had opened up in response to the revolution in design. Pioneers like Gordon Woods and Barry Bennett in Sydney and George Rice in Victoria had been joined by hundreds of wide-eyed hopefuls operating, like Rip Curl, out of garages and tool sheds.

In many cases enthusiasm and innovation overshadowed technical expertise and quality, but Rip Curl concentrated on producing a small number of functional surfcraft for local waves.

In 1970, however, Warbrick and Singer made the decision which changes forever the nature of their fledgling company. Looking at the essential needs of their fellow surfers in cold-water Victoria, they see that one ΓÇô a board to ride ΓÇô is being serviced by too many companies, while the other ΓÇô a wetsuit to keep out the cold ΓÇô is being serviced by only two, one of whom makes wetsuits for divers and has only a marginal commercial interest in surfing.

Rip Curl took over an old house in Torquay and the partners made a small investment in a pre-World War II sewing machine. They put together a crew of locals and went into production, cutting out the rubber on the floor and handing the pieces to an over-worked and underpaid machinist.

By todayΓÇÖs standards, the prototype Rip Curl wetsuits were primitive, but they differed from others on the market in that they evolved through interaction with surfers.




The people who ran the company were ΓÇô and still are ΓÇô the test pilots. There can be no more direct line of communication...





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